I was asked what digitising involved and I thought it was worth throwing open to the community!
For me, it means visualising what I want to make, then drawing lines in Embird for each stage of the construction which it cleverly turns into stitches for me (when I have told it what sort of stitches I want!) On the rare occasions I digitise a decorative design I draw the lines and then colour them in.
Of course, all of this is followed by extensive testing and editing before the design is ready to share.
Anyone else want to add their slant on it all?
SQ
Digitising existing artwork takes more time, but once you know your software it is not too difficult, but it can be very time-consuming. As is learning to know your software in the first place. And there's always something you'd want to change, like stitch directions or fill patterns.
What I love best is creating my own designs, sometimes using (my own) photos, sometimes drawing freehand in the software. And digitising those. That takes even more time than any of the above, but then it's all mine.
And Sue is right, the keywords are: patience, perseverance and a lot of testing.
Embird does not have inbuilt predigitised designs, they come as add-on's; 5D and later comes with over 100.
To turn fonts on your computer into stitchable fonts Embird has FontEngine, the Pfaff/Husqvarna software QuickFont. I like Embird's better.
As for enlarging in the digitising module, you need the design/object file and not the embroidery file - .eof in Embird, the .can file in 4D and 5D (and this old brain forgot the name in 6D). The consequence is I can't resize in Embird Studio what I digitised in 5D or 6D or vice versa.
And although you might be able to resize to any size in theory, in practice the amount of detail limites what you can do and would necessitate a lot of corrections.
Big hugs from London xx